Named as the nightingale of India, Sarojini Naidu ,is essentially a poetess of Indian flora and fauna. Nature was a spring of perpetual bliss to her.’ The ‘Bird Sanctuary’ depicts the ideal refuge of God that offers ideal fostering space and nurturing place for every bird regardless of its identity. The poem is addressed to the Master of the Birds. There is festive joy as the birds sing tumultuously. The enchanting aura they craft herald the Festival of Dawn. Birds of multitudinous colors produce music entrancing and melodious.

The birds strive to sing carols from their throats of amber, ebony and fawn and passionately evocate the pastoral arena of India. The bulbul, the oriole, the honey bird and the shama are perceived fluttering from the high boughs sodden with nectar and due. As the atmosphere is animated with colour and movement, the gull exhibits its silver sea-washed coat, and the hoopoe and the kingfisher their sapphire-blue. The wild gay pigeons envisage a home, amid the tree tops and endeavour to achieve the same, filling their beaks with silken down and banyan twigs. The pervading greenery is reflective of fertility and prosperity in the lives of the birds. Their ascent phrased as “sunward flight” signifies their aspiration to accomplish new heights.…